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Maiden Voyage Album: Maiden Voyage (1965) Written by: Herbie Hancock Personnel: Herbie Hancock — piano Freddie Hubbard — trumpet George Coleman — tenor saxophone Ron Carter — bass Tony Williams — drums

Excellent progressive jazz by Dizzy Gillespie with Charlie Parker, Sidney 'Big Sid' Catlett, Al Haig, and Curly Russell. Recorded in 1945 and here released on a GUILD label 78 rpm record. Enjoy!

Arguably Glenn Miller's theme song, "In the Mood", the biggest hit of 1940, which stayed on the Billboard charts for 30 weeks, peaking at #1.

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

A Love Supreme (1964) 1. Acknowledgement 2. Resolution 3. Pursuance 4. Psalm John Coltrane, tenor saxophone McCoy Tyner, piano Jimmy Garrison, bass Elvin Jones, drums Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, "Acknowledgement" is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, "Resolution," an amazingly beautiful piece about the fury of dedication to a new path of understanding. "Persuance" is a search for that understanding, and "Psalm" is the enlightenment. Although he is at times aggressive and atonal, this isn't Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. [allmusic.com]

John Coltrane — Tenor Saxophone McCoy Tyner — Piano Steve Davis — Bass Elvin Jones — Drums From : Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things.

Charlie Parker with Miles Davis on SAVOY label 78 rpm record recorded in 1947 performing DONNA LEE! Enjoy!

(F.E. Churchill-L.Morey) Bourne Co. Album- Someday my prince will come Miles Davis-Trumpet John Coltrane-tenor sax Wynton Kelly-piano Paul Chambers-bass Jimmy Cobb, Philly Joe Jones-drums Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

Classic. Comment/Rate/Enjoy!

Rockeando!

"Cast Your Fate to the Wind" written by Vince Guaraldi was a hit single in 1963 and won the Grammy Award for Best Original Jazz Composition that year. It was included in the album, Jazz Impressions Of Black Orpheus, released on April 18, 1962 by the Vince Guaraldi Trio on Fantasy Records now available on CD on the Ojc label. This sound recording is administered by UMG. I do not own the right to the song, audio, or images contained in this video.No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass); Jimmy Cobb (drums). Recorded live at the Half Note, New York, New York and Van Gelder Studios, Englewood Cliffs, New Jersey in June and September 1965. Personnel: Wes Montgomery (guitar); Wynton Kelly (piano); Paul Chambers (bass instrument); Jimmy Cobb (drums). Recording information: Englewood Cliffs, New Jersey; 1965. This album is the live equivalent of the INCREDIBLE GUITAR album--Wes Montgomery cooking with a seasoned and communicative piano trio on a set of jazz compositions, standards, and original material. INCREDIBLE GUITAR has Tommy Flanagan, Percy Heath, and Albert Heath; SMOKIN' has the Wynton Kelly trio, with Paul Chambers on bass, and Jimmy Cobb on drums. Not only had the same trio served as one of Miles Davis' great rhythm sections, but Kelly was considered by many to be the most gifted accompanist of his time. Miles Davis's "No Blues" is in fact an utterly relentless blues, with Montgomery nailing each single-note, octave, or block-chord phrase with passionate conviction. Bassist Sam Jones's "Unit 7" is another uptempo blues. "Four on Six," which debuted on INCREDIBLE GUITAR, gets an edited version of the head and a slightly faster treatment overall. Kelly takes the lead on the first ballad, "If You Could See Me Now," Montgomery on the second, framing the melody to "What's New" in octaves over Cobb's late-night brushes. The excellent sound quality and almost complete lack of audience noise throughout makes SMOKIN' feel like eavesdropping of the best kind.

Them that's got shall get Them that's not shall lose So the Bible said and it still is news Mama may have, Papa may have But God bless the child that's got his own That's got his own Yes, the strong gets more While the weak ones fade Empty pockets don't ever make the grade Mama may have, Papa may have But God bless the child that's got his own That's got his own Money, you've got lots of friends Crowding round the door When you're gone, spending ends They don't come no more Rich relations give Crust of bread and such You can help yourself But don't take too much Mama may have, Papa may have But God bless the child that's got his own That's got his own Mama may have, Papa may have But God bless the child that's got his own That's got his own He just worry 'bout nothin' Cause he's got his own

"So What" was the first track on the studio album "Kind Of Blue" by American jazz musician Miles Davis, released August 17, 1959 on Columbia Records. The recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis' ensemble sextet, which included pianists Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. After the inclusion of Bill Evans into his sextet, Davis followed up on the modal experimentations of "Milestones" (1958) and "1958 Miles" (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, "Kind Of Blue" has been cited by many music writers not only as Davis' best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis' masterpiece, and it has been ranked at or near the top of several 'best album' lists in disparate genres. The album's influence on music, including jazz, rock and classical music, has led music writers to acknowledge it as one of the most influential albums of all time. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music including cool jazz, hard bop, free jazz and fusion. Many well-known jazz musicians made their names as members of Davis' ensembles, including John Coltrane, Herbie Hancock, Bill Evans, Wayne Shorter, Chick Corea, John McLaughlin, Julian 'Cannonball' Adderley, Gerry Mulligan, Tony Williams, George Coleman, J.J. Johnson, Keith Jarrett and Kenny Garrett. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. This channel is dedicated to the classic jazz music you've loved for years. The smokin' hot, icy cool jams that still make you tap your feet whenever you hear them . . . Cool Jazz is here! For music videos of the Old School funk, go to: www.youtube.com/djbuddyloveold school To check out videos from The Roots Of Rap, go to: www.youtube.com/djbuddyloveraproots To explore the world of The DJ Cafe, go to: www.youtube.com/djbuddylovedjcafe Check out my newer music videos and other fun stuff at: www.youtube.com/djbuddylove3000 Check out my news videography stuff at: www.youtube.com/vonregandavis Also, check out my youngest daughter (the world's youngest video producer) at: www.youtube.com/daddyzgirl3000 Enjoy!! ;~} Copyright 1959 Columbia Records All Rights Reserved

Original song performed by Bobby "Blue" Bland in 1974. A song I really love and a video I made with pictures of David Coverdale from whitesnake and deep purple years... Enjoy...and keep rocking!!! Written by Michael Price/Dan Walsh Lyrics: Ain't no love in the heart of the city, Ain't no love in the heart of town. Ain't no love, sure 'nuff is a pity, Ain't no love 'cause you ain't around. Baby, since you been around. Ain't no love in the heart of the city, Ain't no love in the heart of town. Ain't no love, sure 'nuff is a pity, child Ain't no love 'cause you ain't around. Every place that I go, Well, it seems so strange. Without you love, baby, baby, Things have changed. Now that you're gone Why know the sun don't shine, From the city hall To the county line, that's why Ain't no love in the heart of the city, Ain't no love in the heart of town. Ain't no love, sure 'nuff is a pity, Ain't no love 'cause you ain't around. Every place that I go, Well, it seems so strange. Without you love, baby, baby, Things have changed. Now that you're gone Why know the sun don't shine, From the city hall Woman, to the county line, that's why Ain't no love in the heart of the city, There ain't no love in the heart of town. There ain't no love, sure 'nuff is a pity, Ain't no love 'cause you ain't around. There ain't no love in the heart of the city, There ain't no love in the heart of town. Ain't no love, sure 'nuff is a pity, Ain't no love 'cause you ain't around, 'Cause you ain't around.

First track from «Heavy Weather» (1977)

Available to order now at http://smarturl.it/BBKingMont93dvdbr More info at: https://smarturl.it/BBKingMont93 B.B. King is the greatest living exponent of the blues and considered by many to be the most influential guitarist of the latter part of the 20th century. His career dates back to the late forties and despite now being in his eighties he remains a vibrant and charismatic live performer. B.B. King has been a frequent visitor to the Montreux festival, appearing nearly 20 times, so choosing one performance was no easy task. This 1993 concert will surely rank as one of his finest at any venue. With a superb backing band and a great set list its a must for any blues fan. The thrill is gone The thrill is gone away The thrill is gone baby The thrill is gone away You know you done me wrong baby And you'll be sorry someday The thrill is gone It's gone away from me The thrill is gone baby The thrill is gone away from me Although, I'll still live on But so lonely I'll be The thrill is gone It's gone away for good The thrill is gone baby It's gone away for good Someday I know I'll be open armed baby Just like I know a good man should You know I'm free, free now baby I'm free from your spell Oh I'm free, free, free now I'm free from your spell And now that it's all over All I can do is wish you well =================================== Subscribe: http://smarturl.it/YTSubscribeEagleRock Official site: https://www.eagle-rock.com Eagle Rock Facebook: https://www.facebook.com/EagleRockEnt =================================== #BBKing #TheThrillIsGone #LiveAtMontreux

From the 1961 album 'Eastern Sounds' (Original Jazz Classics) Personnel: Yusef Lateef: oboe, Barry Harris: piano, Ernie Farrow: bass, Lex Humphries: drums By far my favorite version of this classic tune! Enjoy!

No copyright infringement intended.

My personal favorite track from Art Blakey's album, "The Big Beat". Enjoy! P.S. Sorry about the lack of updates on my channel, but our basement has flooded, and the clean up is taking up almost all of my available time. P.P.S. If you enjoy this track please rate/comment

Nice song... also in the movie blues brothers

Not too much to say here (that and I'm feeling too lazy to do a full write up for this song). Just a fun little piece of Latin Jazz that I recently discovered.

Epistrophy. At Carnegie Hall. 1957. Thelonious Monk and John Coltrane, two of the biggest giants of jazz.